{"id":8855,"date":"2022-05-27T11:13:28","date_gmt":"2022-05-27T09:13:28","guid":{"rendered":"https:\/\/hdk-valand-graduation.se\/?p=8855"},"modified":"2022-05-27T11:13:28","modified_gmt":"2022-05-27T09:13:28","slug":"erik-torstensson","status":"publish","type":"post","link":"https:\/\/2022.hdk-valand-graduation.se\/en\/erik-torstensson\/","title":{"rendered":"Erik Torstensson"},"content":{"rendered":"[vc_row][vc_column offset=”vc_col-lg-8 vc_col-md-12 vc_col-xs-12″]
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Photographer: David Eng<\/p>\n<\/div><\/div><\/div>

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Photographer: David Eng<\/p>\n<\/div><\/div><\/div>

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Photographer: David Eng<\/p>\n<\/div><\/div><\/div>

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Photographer: David Eng<\/p>\n<\/div><\/div><\/div>

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Photographer: David Eng<\/p>\n<\/div><\/div><\/div>

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Photographer: David Eng<\/p>\n<\/div><\/div><\/div>

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Photographer: David Eng<\/p>\n<\/div><\/div><\/div>

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Photographer: Sebastian Kok<\/p>\n<\/div><\/div><\/div>

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Photographer :David Eng<\/p>\n<\/div><\/div><\/div><\/div>

\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"\"<\/div><\/div><\/div>[vc_column_text width=”900″ css=”.vc_custom_1653642790154{margin-top: 40px !important;}” align=”left” text_align=”left”]\n

The investigation of materiality as absence<\/h2>\n
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In The investigation of Materiality as Absence, I have woven new versions, from photographs of patterned and worn textiles. I wanted to see how holes and abrasions can be interpreted in different materials, colors and structures. Through the survey, new questions have arisen about the difference between images and objects and the distance I experience between the sketch on the screen and what I see in front of me in the loom.<\/p>\n

The first 19 weaves form a chain of thought, or a pilot study. My experiences are summarized through weaves 20 and 21.<\/p>\n

In the jacquard-woven technique I use, all picks are shuttled all the way, from selvedge edge to selvedge, from side to side. Under the visual holes and worn parts, all threads are undamaged.<\/p>\n

I appreciate textile’s ability to change rooms and I like when things break.<\/p>\n

All weaves have the approximate width of 150 cm and are of varying length between 100-240 cm. The warp has been cotton, weft mainly linen, wool, silk and Tencel.<\/p>\n

@manofwool<\/a><\/p>\n

www.manofwool.com<\/span><\/a>
\n<\/b>erik@kravallslojd.se<\/b><\/a><\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″ offset=”vc_col-lg-4 vc_hidden-md vc_hidden-sm vc_hidden-xs”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column offset=”vc_col-lg-8 vc_col-md-12 vc_col-xs-12″][vc_column_text width=”900″ css=”.vc_custom_1653642790154{margin-top: 40px !important;}” align=”left” text_align=”left”] The investigation of materiality as absence In The investigation of Materiality as Absence, I have woven new versions, from photographs of patterned and worn textiles. I wanted to see how holes and abrasions can be interpreted in different materials, colors and structures. Through the survey,…<\/p>\n","protected":false},"author":7,"featured_media":8834,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false},"categories":[80],"tags":[],"yoast_head":"\nHDK-Valand Graduation 2022 - Erik Torstensson<\/title>\n<meta name=\"description\" content=\"HDK-Valand v\u00e4lkomnar dig att ta del av arbeten ifr\u00e5n \u00e5rets examensstudenter.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2022.hdk-valand-graduation.se\/en\/erik-torstensson\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HDK-Valand Graduation 2022 - Erik Torstensson\" \/>\n<meta property=\"og:description\" content=\"HDK-Valand v\u00e4lkomnar dig att ta del av arbeten ifr\u00e5n \u00e5rets examensstudenter.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/2022.hdk-valand-graduation.se\/en\/erik-torstensson\/\" \/>\n<meta property=\"og:site_name\" content=\"HDK-Valand Graduation 2022\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-27T09:13:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/2022.hdk-valand-graduation.se\/wp-content\/uploads\/2022\/05\/erik-torstensson-huvudbild-undersokningen-av-materialitet-som-franvaro-close-up-david-eng.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Miriam Fumarola\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Miriam Fumarola\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/2022.hdk-valand-graduation.se\/en\/erik-torstensson\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/2022.hdk-valand-graduation.se\/en\/erik-torstensson\/\"},\"author\":{\"name\":\"Miriam Fumarola\",\"@id\":\"https:\/\/2022.hdk-valand-graduation.se\/en\/#\/schema\/person\/ad46848395295eb0dbc36a1e761598de\"},\"headline\":\"Erik Torstensson\",\"datePublished\":\"2022-05-27T09:13:28+00:00\",\"dateModified\":\"2022-05-27T09:13:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/2022.hdk-valand-graduation.se\/en\/erik-torstensson\/\"},\"wordCount\":252,\"publisher\":{\"@id\":\"https:\/\/2022.hdk-valand-graduation.se\/en\/#organization\"},\"articleSection\":[\"MFA Textile Art\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/2022.hdk-valand-graduation.se\/en\/erik-torstensson\/\",\"url\":\"https:\/\/2022.hdk-valand-graduation.se\/en\/erik-torstensson\/\",\"name\":\"HDK-Valand Graduation 2022 - 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